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1080i - 1080 lines of interlaced video (540
lines per field). Usually refers to 1920x1080 resolution in 1.78
aspect ratio.
1080p - 1080 lines of progressive video
(1080 lines per frame). Usually refers to 1920x1080 resolution in
1.78 aspect ratio.
2-2 pulldown - The process of transferring
24-frame-per-second film to video by repeating each film frame as
two video fields. (See Chapter 3 for details.) When 24-fps film
is converted via 2-2 pulldown to 25-fps 625/50 (PAL) video, the
film runs 4 percent faster than normal.
2-3 pulldown - The process of converting
24-frame-per-second film to video by repeating one film frame as
three fields, then the next film frame as two fields. (See Chapter
3 for details.)
3-2 pulldown - An uncommon variation of
2-3 pulldown, where the first film frame is repeated for 3 fields
instead of two. Most people mean 2-3 pulldown when they say 3-2
pulldown.
4:1:1 - The component digital video format
with one Cb sample and one Cr sample for every four Y samples. 4:1
horizontal downsampling with no vertical downsampling. Chroma is
sampled on every line, but only for every four luma pixels (i.e.,
1 pixel in a 1 x 4 grid). This amounts to a subsampling of chroma
by a factor of two compared to luma (and by a factor of four for
a single Cb or Cr component). DVD uses 4:2:0 sampling, not 4:1:1
sampling.
4:2:0 - The component digital video format
used by DVD, where there is one Cb sample and one Cr sample for
every four Y samples (i.e., 1 pixel in a 2 x 2 grid). 2:1 horizontal
downsampling and 2:1 vertical downsampling. Cb and Cr are sampled
on every other line, in between the scan lines, with one set of
chroma samples for each two luma samples on a line. This amounts
to a subsampling of chroma by a factor of two compared to luma (and
by a factor of four for a single Cb or Cr component).
4:2:2 - The component digital video format
commonly used for studio recordings, where there is one Cb sample
and one Cr sample for every two Y samples (i.e., 1 pixel in a 1
x 2 grid). 2:1 horizontal downsampling with no vertical downsampling.
This allocates the same number of samples to the chroma signal as
to the luma signal. The input to MPEG-2 encoders used for DVD is
typically in 4:2:2 format, but the video is subsampled to 4:2:0
before being encoded and stored.
4:4:4 - A component digital video format
for high-end studio recordings, where Y, Cb, and Cr are sampled
equally.
480i - 480 lines of interlaced video (240
lines per field). Usually refers to 720 x 480 (or 704 x 480) resolution.
480p - 480 lines of progressive video (480
lines per frame). 480p60 refers to 60 frames per second; 480p30
refers to 30 frames per second; and 480p24 refers to 24 frames per
second (film source). Usually refers to 720 x 480 (or 704 x 480)
resolution.
4C - The four-company entity: IBM, Intel,
Matsushita, Toshiba.
525/60 - The scanning system of 525 lines
per frame and 60 interlaced fields (30 frames) per second. Used
by the NTSC television standard.
5C - The five-company entity: IBM, Intel,
Matsushita, Toshiba, Sony.
625/50 - The scanning system of 625 lines
per frame and 50 interlaced fields (25 frames) per second. Used
by PAL and SECAM television standards.
720p - 720 lines of progressive video (720
lines per frame). Higher definition than standard DVD (480i or 480p).
720p60 refers to 60 frames per second; 720p30 refers to 30 frames
per second; and 720p24 refers to 24 frames per second (film source).
Usually refers to 1280 x 720 resolution in 1.78 aspect ratio.
8/16 modulation - The form of modulation
block code used by DVD to store channel data on the disc. See modulation.
AAC - Advanced audio coder. An audio-encoding
standard for MPEG-2 that is not backward-compatible with MPEG-1
audio.
AC - Alternating current. An electric current
that regularly reverses direction. Adopted as a video term for a
signal of non-zero frequency. Compare to DC.
AC-3 - The former name of the Dolby Digital
audio-coding system, which is still technically referred to as AC-3
in standards documents. AC-3 is the successor to Dolby’s AC-1 and
AC-2 audio coding techniques.
access time - The time it takes for a drive
to access a data track and begin transferring data. In an optical
jukebox, the time it takes to locate a specific disk, insert it
in an optical drive, and begin transferring data to the host system.
ActiveMovie - The former name for Microsoft’s
DirectShow technology.
ADPCM - Adaptive differential pulse code
modulation. A compression technique which encodes the difference
between one sample and the next. Variations are lossy and lossless.
AES - Audio Engineering Society.
AES/EBU - A digital audio signal transmission
standard for professional use, defined by the Audio Engineering
Society and the European Broadcasting Union. S/P DIF is the consumer
adaptation of this standard.
AGC - Automatic gain control. A circuit
designed to boost the amplitude of a signal to provide adequate
levels for recording. Also see Macrovision.
aliasing - A distortion (artifact) in the
reproduction of digital audio or video that results when the signal
frequency is more than twice the sampling frequency. The resolution
is insufficient to distinguish between alternate reconstructions
of the waveform, thus admitting additional noise that was not present
in the original signal.
AMGM_VOBS - Video Object Set for Audio Manager
Menu.
analog - A signal of (theoretically) infinitely
variable levels. Compare to digital.
angle - In DVD-Video, a specific view of
a scene, usually recorded from a certain camera angle. Different
angles can be chosen while viewing the scene.
ANSI - American National Standards Institute.
(See Appendix C.)
AOTT_AOBS - Audio Object Set for Audio Only
Title.
apocryphal - Of questionable authorship
or authenticity. Erroneous or fictitious. The author of DVD Demystified
is fond of saying that the oft-cited 133-minute limit of DVD-Video
is apocryphal.
application format - A specification for
storing information in a particular way to enable a particular use.
artifact - An unnatural effect not present
in the original video or audio, produced by an external agent or
action. Artifacts can be caused by many factors, including digital
compression, film-to-video transfer, transmission errors, data readout
errors, electrical interference, analog signal noise, and analog
signal crosstalk. Most artifacts attributed to the digital compression
of DVD are in fact from other sources. Digital compression artifacts
will always occur in the same place and in the same way. Possible
MPEG artifacts are mosquitoes, blocking, and video noise.
aspect ratio - The width-to-height ratio
of an image. A 4:3 aspect ratio means the horizontal size is a third
again wider than the vertical size. Standard television ratio is
4:3 (or 1.33:1). Widescreen DVD and HTDV aspect ratio is 16:9 (or
1.78:1). Common film aspect ratios are 1.85:1 and 2.35:1. Aspect
ratios normalized to a height of 1 are often abbreviated by leaving
off the :1.
ASV (Audio Still Video) - A still picture
on a DVD-Audio disc.
ASVOBS - Audio Still Video Object Set.
ATAPI - Advanced Technology Attachment (ATA)
Packet Interface. An interface between a computer and its internal
peripherals such as DVD-ROM drives. ATAPI provides the command set
for controlling devices connected via an IDE interface. ATAPI is
part of the Enhanced IDE (E-IDE) interface, also known as ATA-2.
ATAPI was extended for use in DVD-ROM drives by the SFF 8090 specification.
ATSC - Advanced Television Systems Committee.
In 1978, the Federal Communications Commission (FCC) empaneled the
Advisory Committee on Advanced Television Service (ACATS) as an
investigatory and advisory committee to develop information that
would assist the FCC in establishing an advanced broadcast television
(ATV) standard for the United States. This committee created a subcommittee,
the ATSC, to explore the need for and to coordinate development
of the documentation of Advanced Television Systems. In 1993, the
ATSC recommended that efforts be limited to a digital television
system (DTV), and in September 1995 issued its recommendation for
a Digital Television System standard, which was approved with the
exclusion of compression format constraints (picture resolution,
frame rate, and frame sequence).
ATV - Advanced television. TV with significantly
better video and audio than standard TV. Sometimes used interchangeably
with HDTV, but more accurately encompasses any improved television
system, including those beyond HDTV. Also sometimes used interchangeably
with the final recommended standard of the ATSC, which is more correctly
called DTV.
authoring - For DVD-Video, authoring refers
to the process of designing, creating, collecting, formatting, and
encoding material. For DVD-ROM, authoring usually refers to using
a specialized program to produce multimedia software.
autoplay (or automatic playback) - A feature
of DVD players which automatically begins playback of a disc if
so encoded.
B picture (or B frame) - One of three picture
types used in MPEG video. B pictures are bidirectionally predicted,
based on both previous and following pictures. B pictures usually
use the least number of bits. B pictures do not propagate coding
errors since they are not used as a reference by other pictures.
bandwidth - Strictly speaking, the range
of frequencies (or the difference between the highest and the lowest
frequency) carried by a circuit or signal. Loosely speaking, the
amount of information carried in a signal. Technically, bandwidth
does not apply to digital information; the term data rate is more
accurate.
BCA - Burst cutting area. A circular section
near the center of a DVD disc where ID codes and manufacturing information
can be inscribed in bar-code format. (See Figure 4.4.)
birefringence - An optical phenomenon where
light is transmitted at slightly different speeds depending on the
angle of incidence. Also light scattering due to different refractions
created by impurities, defects, or stresses within the media substrate.
bit rate - The volume of data measured in
bits over time. Equivalent to data rate.
bit - A binary digit. The smallest representation
of digital data: zero/one, off/on, no/yes. Eight bits make one byte.
bitmap - An image made of a two-dimensional
grid of pixels. Each frame of digital video can be considered a
bitmap, although some color information is usually shared by more
than one pixel.
bits per pixel - The number of bits used
to represent the color or intensity of each pixel in a bitmap. One
bit allows only two values (black and white), two bits allows four
values, and so on. Also called color depth or bit depth.
bitstream recorder - A device capable of
recording a stream of digital data but not necessarily able to process
the data.
bitstream - Digital data, usually encoded,
designed to be processed sequentially and continuously.
BLER - Block error rate. A measure of the
average number of raw channel errors when reading or writing a disc.
block - In video encoding, an 8 x 8 matrix
of pixels or DCT values representing a small chunk of luma or chroma.
In DVD MPEG-2 video, a macroblock is made up of 6 blocks: 4 luma
and 2 chroma.
blocking - A term referring to the occasional
blocky appearance of compressed video (an artifact). Caused when
the compression ratio is high enough that the averaging of pixels
in 8 x 8 blocks becomes visible.
Blue Book - The document that specifies
the CD Extra interactive music CD format (see also Enhanced CD).
The original CDV specification was also in a blue book.
Book A - The document specifying the DVD
physical format (DVD-ROM). Finalized in August 1996.
Book B - The document specifying the DVD-Video
format. Mostly finalized in August 1996.
Book C - The document specifying the DVD-Audio
format.
Book D - The document specifying the DVD
record-once format (DVD-R). Finalized in August 1997.
Book E - The document specifying the rewritable
DVD format (DVD-RAM). Finalized in August 1997.
bps - Bits per second. A unit of data rate.
brightness - Defined by the CIE as the attribute
of a visual sensation according to which area appears to emit more
or less light. Loosely, the intensity of an image or pixel, independent
of color; that is, its value along the axis from black to white.
buffer - Temporary storage space in the
memory of a device. Helps smooth data flow.
burst - A short segment of the color subcarrier
in a composite signal, inserted to help the composite video decoder
regenerate the color subcarrier.
B-Y, R-Y - The general term for color-difference
video signals carrying blue and red color information, where the
brightness (Y) has been subtracted from the blue and red RGB signals
to create B-Y and R-Y color-difference signals. (See Chapter 3.)
byte - A unit of data or data storage space
consisting of eight bits, commonly representing a single character.
Digital data storage is usually measured in bytes, kilobytes, megabytes,
and so on.
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