No, you don't--but there are reasons you might
want to keep two drives.
It's not a question of whether your DVD burner
can also burn CDs--it's a question of the speed in which it does
it. For a long time, having two drives made sense, since DVD burners
started out with CD write speeds that were significantly slower
than what you'd find in a dedicated CD-RW drive. However, as I
noted in "Good-Bye CD-RW, Hello DVD," you really don't
need two drives anymore. Today's DVD burners can burn CDs at 12X
and 16X speeds, which are quick enough for most purposes.
Still, I can come up with three reasons you'd
want to have multiple optical drives. The first, and most obvious
reason, is for easy disc copying: Pop a CD into one drive, a blank
disc into the other, and poof! You're off and running, copying
disc-to-disc. The second is for testing: If your second optical
drive is a combination DVD-ROM and CD burner, then you have a
quick means of vetting those DVD movies you've made on a drive
other than the one you burned the disc on. Third, lots of games
are coming through with multiple CDs. If you have two optical
drives, you can minimize your disc swapping with multi-CD games--or
applications, for that matter.
What Are the Best Formats for Video, Music, and Data Discs?
As a rule of thumb, write-once media--be it DVD or CD--is your
best choice for compatibility with consumer electronics devices,
be it your high-end audio CD deck or your $50 Costco-special DVD
player. Write-once discs have a higher reflectivity, which tends
to make it easier for the devices' laser to read the data.
Use DVD-R or DVD+R for video
projects. It shouldn't matter which you
choose--although some players (Toshiba models, for example) don't
officially support DVD+R, so it's a crapshoot as to whether the
disc will play. My advice is to check online and see if you can
find sites that note whether other folks have had success with
DVD-R or +R on your player--and then go with that media. Long-term,
either format should be fine for archiving; I believe both formats
are entrenched enough that you'll find support for them long after
your $50 player conks out.
For audio projects, pick CD-Rs.
CD-Rs are the best way for you to create audio CDs, the format
recognized by CD and DVD players. If you want to pack more music
on a disc, convert your audio files to MP3 before burning them
to a CD-R. But note that they're stored as data files, not as
music per se. That means the player you're using needs to have
a built-in MP3 decoder, as many DVD players and portable CD players
do--but not car stereo and living-room CD players.
Burning music to a DVD is more complicated. Most
DVD players cannot recognize MP3 files stored on a DVD, even though
they can recognize MP3 files stored on a CD. And do-it-yourself
DVD-Audio isn't available in mainstream burning tools. I've not
heard any timeline for adding this feature, but I give advance
props to the first software maker to allow you to burn two-channel
audio to DVD. Just think of the greatest hits collections you
could create on the fly!
For data, go with rewritable
media. Rewritable media such as DVD-RW,
+RW, -RAM, and CD-RW are best for backing up projects that are
in progress. For example, you may expect to add data to a folder,
or you're experimenting with different DVD menu design options
before finalizing the disc; or you're performing a regular backup,
and can reuse the disc time and again. Rewritable DVD is also
good for temporary recordings; for example, say you're the sort
who wants to record a Law & Order episode, watch it later
the same night, and then record another episode the next day.
Can I Record Streaming Media, Then Edit on Disc?
Yes, various living-room recorders or PC software/burner combinations
let you do this...but, the better question is, do you really want
to?
I have trouble condoning this practice--be it
that you're using software to capture a live streaming recording,
or you're using software to write or edit content directly on
disc in VR mode, a "video recording"-specific recording
mode you can select when burning video to DVD+RW or DVD-RW. VR
mode enables editing on disc, but makes the disc less compatible.
First and foremost is the risk factor. By recording
to optical media, you run a greater risk of failure than if you're
recording to your PC's hard disk. Any hiccup during recording--be
it due to a rare yet plausible buffer overrun, or due to a problem
with the disc, the recording software, or the PC itself--will
leave you with an unplayable disc that may not be recoverable.
My take is, if the recording is important enough
that you want to retain it in the first place, why take that risk
at all? I'd suggest recording to your hard disk--which is less
error-prone, and affords you virtually infinite space to capture
your desired content (not to mention built-in redundancy to act
as your backup copy). Then archive your content to disc, so you
can view or listen to it wherever you choose.
If you're using VR mode to edit on a rewritable
DVD disc, I recommend copying the disc's content to your hard
drive before you start futzing with the recording. Copying to
and from a DVD to hard disk doesn't take long with the latest
burners (under 7 minutes with a 12X burner), and it's a worthy
precaution in case you're hit with Windows' infamous blue screen
of death.
What Format Should I Archive My Videos In?
As I mentioned earlier, DVD-R and DVD+R have the greatest compatibility
around, so if you're archiving your video, I'd pick one of those
disc types to start with.
That's the easy part. Harder is deciphering from
among the various bit-rate settings and presets you might encounter
in your software, and what video encoding format (VCD, MPEG-2,
WMV, MPEG-4) to choose.
These originals are your babies--so treat them
with as much TLC as you can. If you're archiving for posterity,
maximize your image quality by recording in the highest bit rate
you can--which typically translates into fitting just 1 hour of
video on a DVD. It may cost an extra few bucks, and an extra few
DVDs, to record at the highest quality mode, but it's the best
course of action.
For maximum compatibility, stick with tried-and-true
MPEG-2. This is the same format that your gargantuan Hollywood
DVD collection is encoded in, and this format is guaranteed to
be around for the foreseeable future, since both the HD-DVD and
Blu-ray Disc camps have agreed to make MPEG-2 support a staple
of their respective next-generation optical formats. MPEG-4, WMV,
and a host of other formats can provide quality varying from acceptable
to great, but none offer the cross-compatibility of MPEG-2. And
when you're archiving precious memories, compatibility is critical.
How Can I Copy My Videos?
Okay, admit it: You perked up at the question, wondering how you
can copy your store-bought DVDs. But I'm not delving far into
that murky water, fraught as it is with questions about the legality
of copying movies on DVD. The court ruled in favor of Hollywood
earlier this year when it shut down 321 Studios, maker of DVD
X-Copy software. If you do a Web search on DVD rippers or DVD
copy software, or dig around on sites dedicated to DVD burning
(such as CD-Rinfo, Doom9.net, and others) you'll see shareware
and freeware DVD "rippers" out there. What you choose
to do with that software is up to you.
Now, for the alternative, so you can make a copy
of a video for personal use: Use an external encoding box to copy
just the video portion of your DVD. For example, ADS Tech's $199
Instant DVD 2.0 box provides the intermediary you need to take
analog output from your DVD player, encode it to MPEG-2, and save
it on your hard drive (the box connects to your PC via USB 2.0).
From there, you can burn the video off to disc again. ADS doesn't
market its box this way; and on its home page it clearly requests
that its users respect copyright owners' rights. Still, the company
acknowledges the decoding/encoding chip in Instant DVD doesn't
recognize DVD copy protection, which means one could conceivably
use the device to make a personal backup of video to DVD. Will
you get a perfect digital copy? Absolutely not. And gone are the
extras, the menus, and the cool navigation buttons. But this approach
does provide a reasonable stopgap so you don't have to see your
kids mangle yet another copy of their favorite cartoon flick.
Hardware encoding boxes such as the aforementioned
model from ADS, and similar ones from Pinnacle and Plextor, provide
the best intermediary between a PC and your video source. Stay
away from software encoders if you can help it; they produce lower
image quality and lack the real-time performance of hardware encoders.
I don't know about you, but sitting at my PC waiting for a software
encoder to plod through an hour of video is not my idea of a good
time.
If you have home movies on videotape, and don't
anticipate doing lots of creative cuts or editing, I strongly
recommend you skip the PC entirely and go with a dual-deck VCR/DVD
recorder. Such recorders are available from major DVD player manufacturers
such as GoVideo, Pioneer, RCA, and Samsung. Or, pick a DVD recorder
with a hard drive if you want to leave open the option to do some
basic editing. If you have a digital video camera, or you're thinking
of getting one, make sure the DVD recorder has a DV input to capture
video from a digital video camera.